That Drifting Poo Was Far Too Meaningful! These Are the Television Letdowns of the Year.

Looking back, we reflect on the television offerings of the recent year, a handful of shows stand out not for their excellence, but for their spectacular shortcomings. Ranging from awkward spin-offs to bafflingly bad docuseries, here are the programmes that left us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Plagued with woeful scripts, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. Briefly, as the final series began, it seemed as if it had at last hit its stride. Then arrived an episode centered on Seema’s natural deodorant. No wonder the showrunner announced this would be the final series. It ended on a bum note; the closeup of Miranda’s toilet full of poo was just way too symbolic. Yet, fans undeniably found joy dissecting every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the least of this drama's problems. The subject of a exceedingly uncommon no-star assessment, it was hard to know where to start enumerating the problems. The hilariously wooden dialogue? The tedious glorification of affluence and consumption? The seemingly wilful parade of cliches? Acting so poor they felt almost malicious? Suffice it to say “each and every one” and forget about this show again. However, a new season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse claims and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this multi-part documentary which chuckled along at Sheen’s various bouts of self-destructive excess while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any pity this series might induce should be reserved for the people who have had to suffer close contact with this charming but flippant egotist.

The Iris Affair

Of course we knew it was preposterous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Shady characters meeting in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were plenty of other issues. Mainly that it was just really dull; a conflict over narcotics territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s almost easy to admire the Duchess of Sussex’s televised forays into quaint homemaking as intentional provocations. But then you view them and are compelled to admit that in this case, they might have a point. It’s like watching a homeware catalogue animated; a poster for wine o’clock with delusions of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be said about regarding Victoria Beckham and her struggles with career, self-image, self-acceptance. But for whatever reason, this three-part series opted not to say them. Rather, the viewing was like reading a marketing catalogue. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was straining desperately to live up to something way beyond it.

Too Much

How does one succeed a show that captured a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of talented emerging comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a single joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, slightly stylised farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Absolutely.

Prime Target

We admire the lead actor … but did we buy him playing the greatest maths genius since, a man so smart he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about government agencies spying on – and eliminating – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual exploits as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was way more examination of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to drag her son out of the queue. What we got was horrific shots and absolutely no interrogation of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.

Melissa Spears
Melissa Spears

A financial technology expert specializing in blockchain innovations and digital asset markets across Europe.